Category Archives: TV

How to be a Millenial, Ryan Howard style

‘I was the youngest VP in company history.’

‘More recently, he worked in a bowling alley.’

I watch a lot of TV. To be precise, I watch a lot of American TV, as do many people of my socio economic background and ‘Westernised’ upbringing in this part of the world. American TV is our go-to, our comfort food, something we keep up to date with as religiously as we update our Facebook statuses and do Buzzfeed quizzes. In some cases, more religiously. American TV isn’t even considered ‘foreign’ for us any more, in the same way American pop music and cinema has become ours more than its more ‘desi’ counterparts, at least in my case.

So it’s not surprising that I find, as I tend to find in literature, characters and situations from these TV shows that correspond almost uncomfortably well with my life. Recently, I’ve been ploughing through the US version of ‘The Office’. It took me at least half of the first season, but now I’m hooked and find myself turning almost unconsciously to Michael Scott and his band of not-so-merry men and women when I have a half hour to kill.

There’s one character I love watching more than the rest, not because I find him particularly entertaining (if there is one singularly always-entertaining character it’s definitely Kelly Kapoor) but because he is so freakishly close to home. In fact, if me or many people I know were to be slotted into a type and then ridiculed using a character, that character would be, sadly enough, Ryan Howard. ryan 2

Ryan Howard seems to me the classic ‘millenial’, the wunderkid who soared high on expectations, his own and that of others, and then came crashing spectacularly to earth when it turned out he had no idea how to function in the real world. He went to a fancy business school and then got hired on a ‘temp’ basis at the Scranton branch of Dunder Mifflin, a job he quite obviously thinks beneath him. ‘I could have gone anywhere,’ he says once, with a rather awestruck look. He could have been placed as a temp ‘anywhere’ in Scranton, and he ended up here, in this office.

Let’s consider Ryan’s professional track record: from ‘temp’, to no longer a temp (but never a true salesmen, having never made a sale), to obnoxious corporate hotshot who pushes for digitalisation in the name of progress (everyone gets a Blackberry when Ryan gets on the job), to fallen star. In Season 5 we find out he’s working in a bowling alley and has bleached his hair blonde. Apparently the sun in Fort Lauderdale is very strong.

What I find most disturbingly close to home about Ryan is his sense of total entitlement. There’s no doubt he’s smart, and at the beginning at least, he has dreams of starting his own business. His number one fan, Michael, disses those dreams straight off by telling him ‘That’s a terrible idea’. Ryan goes from quiet and ambitious to messed up power-hungry and back to temp in the course of five seasons. Ryan takes no one seriously unless they have a job at the corporate headquarters in New York or are validated by a fancy business degree. Ryan ignores the efforts of his boss to befriend him and then takes an obvious pleasure in pushing that boss, and everyone else, down when he gets to a superior position. Ryan then tumbles down and is exposed for the overreacher he is, the fire guy second time temp who can’t even make one measly sale and now lives, once again, with his mother.

I'm doing you a favour, yo.
I’m doing you a favour, yo.

I know The Office is a comedy and we’re supposed to laugh at all this. The thing about comedy is, if the same stories were captured in drama or a slightly more ambiguous genre, like the one Girls occupies, we’d feel more than a little sad, or disturbed. Ryan’s inability to stick with anything is similar to the dilemmas and self-created problems that trouble the characters of Girls. The latter is considered a pretty searing portrait of today’s twenty somethings, adrift in the world and armed only with seemingly unnecessary and unusable degrees and loads of self worth. Does Ryan have lots of self worth? Oh yeah. enough that he can tell Kelly ‘I need to break up with you so I can go on this trip to Thailand. It’s just something I have to do.’ In his own eyes, his personal net worth is huge, and this filters through in all he says and does.

Do I think Ryan is a bad person? No way. I think he’s super realistic. I can sympathise with his desire to have it all now, to not have to wait around for ‘good things’ to happen, and work his way to the top. I can also totally get on board with his need to be on the phone all the time. I think he’s a college kid who didn’t entirely grow up, or not yet at least. I think he’s an entitled twenty something, and a character that I find eerily and perhaps disturbingly sympathetic. After all, it’s taken more than a few of us a long time to forget that we’re not in college anymore.

More’s the pity.

When Gossip Girl meets A Game of Thrones

I recently quipped that, based on a rewatch of the Gossip Girl series, the Upper East Side looks a whole lot like the seamier world of Westeros. It’s got the same elements: people from privileged backgrounds/powerful families fighting for control of a limited geographic space. What happens outside of that Upper East Side (henceforth referred to as UES) area is of little concern, but for some reason it’s a power base that even outsiders want to enter or are forced to contend with, and it ends up corrupting them.

And the true voice of power here? A Varys-like figure who collects and disburses information at his/her own discretion and can lay low the most elevated with one fell swoop.

I decided to have a little fun and lay out some of the parallels between my favourite UES families and their Westerosi counterparts.

The Humphreys – House Stark

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This was a no-brainer. The only family that pretends to have any sort of noble idealism, who live outside the polluting atmosphere of the Manhattan area, but who, for some odd reason (love or friendship or simple desire to climb socially) have gotten sucked into a world that leaves them scrambling for purchase. Whether it’s Jenny’s Sansa-like fascination for all things fancy or Dan’s Jon-like ‘outsider’ status, the Humphreys are the Starks, sans the direwolves.

The Waldorfs – House Tyrell

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The Waldorfs are the one family that has finished playing out its family drama before the show opens. Headed by a formidable matriarch (Eleanor Waldorf is a little scatter-brained at times, but it was she who, by her own admission, taught Blair her scheming ways), its pride and hope rests on Blair, the supposedly virginal beauty who seeks to rule the UES with an iron fist. Blair is perhaps the one character who is most open about her desire to rule (what, exactly, is debatable at times), echoing Margaery’s famous line in the show: ‘I want to be the Queen’. And Blair will do whatever it takes, marrying disastrously into the royal family of a tiny European nation if that’s what’s called for.

The Archibalds – House Baratheon

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Baratheon, to me, has always been a bit of a random house. What is their USP? It’s not dragons, it’s not wealth, and it’s certainly not misinformed idealism. The three Baratheon brothers we meet in the course of the books are all radically different from each other, and their motto, ‘Ours is the Fury’ is rather lacklustre compared to heavyweights like ‘Fire and Blood’ or the ever-doleful ‘Winter is Coming’. But they are rich, and they are royal—indeed, they were second in line after the Targaryens were bumped off. And people do seem to like (some of) them. The Archibalds struck  me as that sort of family—very random, very rich and sitting on a huge family history that they could use to their benefit if they chose to (which they do, a couple of seasons into the show).

And Nate, if he were anyone on Game of Thrones, would be Renly. Pretty, popular, but no way would he be able to handle the pressures of being king. That’s best left to…

The Basses – House Lannister

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You knew this was coming. The wealthiest house on the UES? The one with the most spotted reputation, with the scheming, cold-hearted father and the disappointing, profligate son who (SPOILER) ends up acting out in the worst ways possible? The Basses can afford to pay off Blair’s dowry and still remain top-dog on the UES, just as the Lannisters extend credit to the throne and manage to field large armies at the same time. The Basses know how to play the games of the UES perhaps better than anyone else, disappearing and reappearing as per their own convenience. They run with unsavoury types, but manage to come out of each scandal with their fortune and their name intact.

And finally..

The Van der Woodsens – House Targaryen

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I have never understood why the VDW’s are so popular on the UES. Aside from Serena’s obvious good looks, the family seems to have nothing but bad decision making skills on its resume. Their family affairs are more messed up than any others on the show, with cheating and lying about deathly illnesses running rampant. They even have a con-artist snuggling into their ranks (literally) and passing off as one of them.

But for some reason, they are up there, powerful and making terrible judgment calls to protect themselves. Like Dany, Serena wants to  dissociate herself from the madness of her forebears and tries time and again to shuck the UES-VDW mantle, to become one of the ‘people’, whether by dating ‘outsiders’ or changing her name. Time and again, she is hauled back to awareness that she can’t escape her past. Serena is perhaps the one idealistic and naïve figure in this bunch of messed-up blondes, and she seems well aware of that.

But when Serena wants, she can take the world down in more fire and blood than even Blair is capable of. In fact, in terms of sheer collateral damage on the show, its Serena who wins top-spot in her generation.

Really, when you step back and look at it, the parallels are rather uncanny. Are we sure the Gossip Girl makers were not reading A Song of Ice and Fire when they scripted their show?