There’s a lot of fantasy fiction out there. And a lot of it is good. But the more I’ve read of it, the harder it seems to find something genuinely original, where talent just leaps off the page and ensnares a reader, convincing him/her that this world that they’ve been granted a peek into is real, inhabited by men and women just like those we encounter every day. Anthony Ryan’s ‘Raven’s Shadow’ trilogy falls into that rare category, of fantasy books where I’ve genuinely been thrilled to turn every page, yet dreaded the end because it brought with it one sad realisation: my visit to this world and its crazy denizens has come to an end.
I reviewed books 1 and 2 of this series earlier here, and talked about how it was a breath of fresh air. Ryan’s final novel in the trilogy, Queen of Fire, builds on the promise of the first two, delivering a richly realised world filled with wonderfully constructed characters, and taking us to parts of it that we have never seen before.
The invading Volarians have been turned back from the Unified Realm, but not before they have inflicted vast amounts of damage and taken scores of citizens as slaves. Queen Lyrna is determined to rescue those of her subjects who still languish in chains, and destroy the Volarians once and for all. To this end, she crosses the seas with her refurbished Army, seeking to end the reign of the murderess-empress known only to her subjects as ‘Elverah’, the Queen of Fire.
Meanwhile, Vaelin heads to the northern reaches, attempting to cross the frozen wastes and head into the Volarian Empire from there. Enroute, he picks up some unlikely allies
and learns more about the dark force (hey, it’s a fantasy novel, of course there’s a dark force!) they are fighting.
My old favourite, Reva, shows up again of course, and is a powerful POV character as ever. She’s part of Lyrna’s Army, but due to an Empress-brewed storm, ends up separated from her loyal Cumbraelin guard and cast into the fighting pits of Volar. Reva’s main struggle in this book is coming to terms with the ‘lie’ she has told her followers, of positioning herself as a prophet figure and then leading them, unintentionally of course, to their deaths. Reva has long been painted as an unwilling leader, one who has gained her position through the most unlikely route, and Ryan takes care to add nuances to her personal struggle in this book as well.
The fourth main ‘POV’ character, Frentis, by far had the most gripping narrative. Frentis’s struggle, from slave to leader of a slave rebellion, is given overtones of pathos and romance due to his love-hate relationship with the Empress herself, his onetime mistress and lover. It is her connection with Frentis, twisted and filled with anger though it is, that humanizes this villainess, and makes her a figure more akin to Robert Jordan’s Lanfear—deluded and power hungry but driven, ultimately, by the same emotions that drive her enemies—and less of a cardboard cutout than many fantasy villains tend to be. Frentis, and his unwilling insights into her, his ability to see past her madness and violence, makes this possible.
What I can finally say about Ryan is, he knows how to write a damn good fantasy series. He has war, he has religion, he has myth and the rise and fall of empires, a sense of history—all the things that go into the grand epic narrative. But best of all, he has compelling characters, and from the darkest villain to the most martial, stereotypical fantasy ‘hero’, they all shine. I loved the Raven’s Shadow trilogy, and I can’t wait to see what he has in store for us next.